"Untitled" Juan Bautista Martínez del Mazo Artwork on USEUM


Juan Bautista Martínez del Mazo La familia del pintor Bitácora Almendrón

Pintor. Hijo de Hernando Martínez, natural de Alarcón (Cuenca), y de Lucía Bueno del Mazo, Juan Bautista Martínez del Mazo nació probablemente hacia 1611 en la localidad conquense de Beteta. Es sin duda el más "velazqueño" de los pintores españoles del Siglo de Oro, y su trayectoria personal y profesional está íntimamente ligada a.


Juan Bautista Martínez Mazo, Retrato de la infanta Margarita, 1660 Museo Nacional de Bellas

Juan Bautista Martínez del Mazo (c.1612 - February 10, 1667) was a Spanish Baroque portrait and landscape painter, the most distinguished of the followers of his father-in-law Velázquez, whose style he imitated more closely than did any other artist. A fine painter himself, Mazo was a master of landscape, as proven by his most celebrated work View of Saragossa.


Portrait of Baltasar Carlos of Spain Painting by Juan Bautista Martinez del Mazo

Juan Bautista Martínez del Mazo. Mazo was the son-in-law of Velázquez and succeeded him as court painter (Pintor de Cámara) to Philip IV of Spain. Only two signed works by Mazo are known, one of them, 'Queen Mariana in Mourning', is in the Collection. Mazo was born in the province of Cuenca, probably at Beteta.


Juan Bautista Martinez del Mazo Marguerite of Austria

Su trabajo en la corte le hizo dedicarse a una temática peculiar, que le distingue con respecto a otros artistas contemporáneos, mayoritariamente empleados en pinturas religiosas. Mazo, en cambio, desarrolló una vena profana singular y, en algunos casos, muy personal. Además, el Prado conserva una gran producción del Mazo copista.


Juan Bautista Martínez del Mazo Alchetron, the free social encyclopedia

Juan Bautista Martínez del Mazo. Essays (2) Works of Art (1) 52.125. Portraiture in Renaissance and Baroque Europe. Velázquez (1599-1660) Related Keywords. Art Movement / Style. Baroque Art; Artist / Maker. Andrea del Sarto; Bronzino; Campin, Robert; Caravaggio; Christus, Petrus; Coypel, Charles Antoine;


Paintings Reproductions Landscape with Figures by Juan Bautista Martinez Del Mazo (16051667

Juan Bautista Martínez del Mazo Spanish. ca. 1645 On view at The Met Fifth Avenue in Gallery 625. Mazo was Velázquez's assistant and son-in-law, having married his daughter Francisca in 1633, and he mimicked many of the elder artist's techniques and formats. Here, he portrays María Teresa, daughter of King Philip IV of Spain and future.


"Untitled" Juan Bautista Martínez del Mazo Artwork on USEUM

Juan Bautista Martínez del Mazo was a Spanish Baroque portrait and landscape painter, the most distinguished of the followers of his father-in-law Velázquez, whose style he imitated more closely than did any other artist. A fine painter himself, Mazo was a master of landscape, as proven by his most celebrated work View of Saragossa..


Martínez del Mazo o el caso de los salones del Alcázar Revista de Arte Logopress

Juan Bautista Martínez del Mazo. ca. 1636 or later. María Teresa (1638-1683), Infanta of Spain. Juan Bautista Martínez del Mazo. ca. 1645. Juan de Pareja (ca. 1608-1670) Velázquez (Diego Rodríguez de Silva y Velázquez) 1650. Portrait of a Man. Velázquez. ca. 1650. View of Toledo.


МАРТИНЕС ДЕЛЬ МАЗО ХУАН БАТИСТА Испанская живопись / Juan Bautista Martínez del Mazo Spanish artist

This portrait - one of Juan Bautista Martínez del Mazo's finest works - was painted the year after the death of her husband Philip IV, King of Spain. Their son and heir, Charles, was too young to take to the throne, leaving Mariana to rule as regent until 1677.


Juan Bautista Martinez del Mazo Portrait of Baltasar Carlos

Juan Bautista Martínez del Mazo. Spanish artist (1612-1667) La família del pintor, Museu d'Història de l'Art de Viena. Upload media. Wikipedia. Date of birth. unknown value (after 1605, before 1612) Cuenca. Date of death.


Juan Bautista Martinez del Mazo Portrait of a Woman

This work was registered with the number 227 in the 1794 inventory of paintings at the country estate of the Duke of el Arco (a part of the testament of Charles III), where it was identified as a portrait of painter Juan Bautista Martínez del Mazo.


pinturamadrid juan bautista martinez del mazo don adrian pulido pareja 1647

Juan Bautista Martínez del Mazo (ca. 1612-1667) is notably absent, which is astonishing given that his paintings occupy the upper half of one of the most important Spanish artworks, Velázquez's Las Meninas. However, Mazo has been merely a footnote in Spanish Art History. He is literally a footnote in Jonathan Brown's seminal Painting in.


Juan Bautista Martínez del Mazo Alchetron, the free social encyclopedia

Juan Bautista Martínez del Mazo was a Spanish Baroque portrait and landscape painter, the most distinguished of the followers of his father-in-law Velázquez, whose style he imitated more closely than did any other artist. A fine painter himself, Mazo was a master of landscape, as proven by his most celebrated work View of Saragossa..


Juan Bautista Martinez del Mazo Portrait of a Child

The Artist: Born around 1612, little is known of Juan Bautista Martínez del Mazo's life and training prior to his marriage in 1633 to Francisca de Silva Velázquez y Pacheco, daughter of Diego Velázquez. As her name indicates, her mother was the daughter of Francisco Pacheco, a leading art theorist and painter of the previous generation with whom Velázquez had trained.


Juan Bautista Martínez del Mazo (1610/151667) Carlos II, King of Spain as a Child (16611700)

Juan Bautista Martínez del Mazo (1610-15-1667) - Don Balthazar Carlos (1629-1646), son of Philip IV of Spain - RCIN 403019 - Royal Collection.jpg 836 × 1,650; 1.26 MB. Juan Bautista Martínez del Mazo - Portrait of the Infanta Margarita - WGA14705.jpg 777 × 876; 117 KB.


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Juan Bautista Martínez del Mazo was a Spanish Baroque portrait and landscape painter, the most distinguished of the followers of his father-in-law Velázquez, whose style he imitated more closely than did any other artist. A fine painter himself, Mazo was a master of landscape, as proven by his most celebrated work View of Saragossa.